Image(s) 12: An Hourglass Cast in Stone

Buildings, especially those built with care and caution, retain the power to move the spirit. They are decanters of a sublime potion potent enough to transport one to a different era. They, like artifacts and antiques, possess a timeless quality. The more distant and historic a building is, the more it radiates the timeless quality that can remove one from their immediate surroundings or conditions of life: a building, like an artifact or antique, propels the imagination and enables one to experience past and present simultaneously. 

There are a number of buildings that stand erect despite the violence done by man and the elements. These stalwart and silent witnesses of history can be seen on an indifferent street corner, sometimes inviting curious glances or a studied gaze but mostly remain unnoticed. They are like chapters of history that are not always pleasant to read but provide essential clues to the puzzle of life in an era long consigned to oblivion. It's interesting that no matter how incongruous or conspicuous their presence is, they preserve a quality to adapt according to the prevalent tastes. In a way, they both belong and don't belong to the current time but that's exactly what makes them significant - much like a genius, who finds themselves at once alien and native to the society. Perhaps this dichotomy is what makes old buildings charming and timeless.

Image 11: That is No Country for Old Men

 

Old age is indeed a challenging period of one's life. The elderly find themselves removed from the contemporary fashions and attitudes, which for most of them are newfangled ideals of a decadent society. Although one might blame them for being conservative, the social changes and technological advances haven't exactly been favourable to them. The rise of nuclear families, for example, has pushed the elderly to the margins. In addition, the modern hectic schedules have surreptitiously severed them from their families. Perhaps there are those too who are better equipped to cope with these changes and willingly adapt to the rapidly changing social environment. 

 

I came across this old man by chance. As soon as he noticed my camera, he started talking to me. He spoke to me about many things, asked me questions and told me about himself. He was interested in the pictures and seemed curious about my camera. I couldn't resist asking him for a photograph. 

Image 10: Gardner on a Particulary Overcast Day

 

The area where I currently reside has witnessed torrential rain: the record-breaking rain has been pouring relentlessly for the past ten days or so, resulting in utter chaos and flash floods. It seems there's no respite in the days ahead. It's alarming how unpredictable the weather is nowadays.

Image 09: Carrying a Ladder

Reading is an activity that I derive a lot of pleasure from: it is more than just a hobby for me. I try to find parallels between reading and street photography. Although reading and street photography are different, I believe there are traits that are common to both. 

Reading has taught me how to observe the world around me. It has helped in slowing down the rapidly moving world of phenomena, for example. As a result of reading, I have started observing things that I erstwhile ignored. In short, it has made me more attentive and conscious. I find street photography too has done the same to me. I sometimes view street as a place where people, objects (natural and artificial) and events emerge like words, phrases and sentences. Meaning appears when they form a harmonious (or disharmonious) relationship. The text or script is constantly getting written and rewritten. Hence, one has to remain alert to the always shifting and evolving street-text. 

Not only that, street photography can teach empathy too. It allows a person to step outside the confines of his or her personality. I suppose that's what Eliot said in his famous essay "Tradition and Individual Talent". So, there are connections between street photography (perhaps all types of photography) and literature. 

This picture was made quite recently. I saw this man on the street. He was carrying a ladder and immediately caught my attention. Again, it is a photograph of one person who is engaged in a task. This is becoming a recurring theme in my work, I suppose.

Image 08: Man in His Frugal Abode

  

It was nearly a decade ago when I first encountered the paintings of Rembrandt. They immediately appealed to me: I found his paintings lifelike and full of warmth. It's a small wonder that he's considered a master. In some of his paintings, Rembrandt showed solitary figures sitting or contemplating which left a strong impression on me. A case in point is his painting entitled "Philosopher in Meditation". It's, undoubtedly, one of my favourite paintings.  

 

I must say that I am not comparing myself to the consummate genius that was Rembrandt. I am only alluding to the subconscious process which, I discovered, might have been active behind this picture. 

This man was sitting in what seemed like his house or workplace. He was engrossed in his smartphone, oblivious to everything around him. The place and the lack of light in the background created a solemn mood that drew me in. His sombre figure against that dilapidated house was another thing that grabbed my attention. 

Image 07: Loading Bamboo onto a Vehicle

 

While walking down the street, I saw these people trying to load bamboo onto a vehicle. In the winters the markets usually open late. They get busier around afternoon. There were a lot of people in the market. Perhaps due to the harvesting festival which is to be celebrated tomorrow. 

These men were struggling. The traffic was blocked. There were a number of motorbikes impatiently waiting for it to clear, while the pedestrians kept finding ways to navigate the busy street. There is so much that takes place in places like this. It is where everything is in flux. One can never run out of subjects or moments worth documenting.